Flag

We stand with Ukraine and our team members from Ukraine. Here are ways you can help

Home ›› Business Value and ROI ›› 6 Key Questions to Guide International UX Research ›› Revisiting Proto-Personas for Executive Alignment

Revisiting Proto-Personas for Executive Alignment

by Brent Summers
6 min read
Share this post on
Tweet
Share
Post
Share
Email
Print

Save

Modifying Jeff Gothelf’s proto-persona process reveals another method of working with clients to establish executive alignment on target users.

As an experience design agency, most of our clients place significant value in understanding user needs. But placing value on user needs and actually meeting those needs is not the same thing. User needs must be balanced with organizational objectives. Many of our clients have evolved so quickly that their original target users aren’t the only (or real) target any longer. We use proto-personas as a way of gaining alignment among our project sponsors and striking the right balance of focus between organizational and user needs.

For our purposes, we’ve adapted this process, by Jeff Gothelf, for building and refining user personas at the outset of our client engagements. Conducting this two-session proto-persona exercise has proven to be an effective way of ramping up our team and gaining executive alignment regarding target users. As a collaborative exercise it’s also a great way of breaking the ice in early in an engagement. Using paper and markers to sketch things fosters creativity and levels the field a bit—relieving concerns about producing something too elementary to be shared with the group.

Proto-Personas

Proto-Personas, a Collaborative Three-Part Process

We introduce proto-personas as a fun, interactive, low-cost way of agreeing on which users are most important in the story. Through this exercise we also learn about other supporting roles including partners, competitors, and undesirable customers. To facilitate the process we’ve created a series of templates that are printed in advance of the first session. With the addition of Crayola washables we attempt to bring a light-hearted and creative energy to the room. Often there is at least one raised eyebrow when I place those items on the conference table, but by the end of the exercise everyone is thankful to have had the opportunity to ditch their laptops for a while and get hands-on with the user experience. (Lefties appreciate the washable markers over a ballpoint pen or a sharpie, too.)

It’s really important to clearly outline the intent of the exercise at the start, but we’ve found it best to introduce each step individually, keeping the participants focused on the immediate task at hand. There’s plenty of time to smooth out the “big picture” and “tie it all together” later. Our introduction goes something like this:

“This exercise is a three-hour, three-part process. When we leave here today, we’ll have a lot of points to consider about how as we conceive and design this experience. There will be a follow up exercise next week where we’ll apply these for the first time. After that, we’ll consider these proto-persona as members of this project team. We must listen to their side of the story, too. This is not the Field of Dreams: we must it build it for them if we want them to come.”

Typically by the time we introduce this exercise the client is already on-board and the intros are more of a formality to ensure everyone involved has context and appropriate expectations. Occasionally, however, there’s a naysayer in the room. Fight that point of friction by referencing your own company’s personas. Your clients will recognize themselves in your fictional archetypes; validating that personas do work.

PART ONE: Character Development

Proto-Personas Step 1

A proto-persona has four quadrants: Biography & Picture, Demographics, Needs & Goals, and Behaviors. Show an example. And remind the team that it’s important to encourage everyone to move quickly, use their gut instincts and not overthink things. We encourage people to simply think about people they’ve actually encountered and characterize them. That seems to help make them more comfortable with details. It’s also important to remind everyone to focus on details about the whole person, not just their job. Our target is at least three personas per person, and we’ll often extend beyond the 15 minutes called for in Gothelf’s article to gain an appropriate volume of data before moving on to the next step. When creating proto-personas, it’s ok to personify people you’ve actually met in business

PART TWO: Meet the Cast

Proto-Personas Step 2

The next step in the exercise is for the project team to present their personas. We liken this to making an introduction at a party. It should be casual and friendly with participation from the crowd as they discuss the characteristics of each user. Friendly banter or debate is OK if you’re allowing one hour for this portion. As the moderator it’s your job to push for the gems that can be found in the chatter, or move the exercise along if it’s not productive.

Each presenter should be armed with a Crayola marker in order to make changes to their personas on the fly. Age ranges, education levels, salary, and even TV viewing habits are on the table here. It’s OK to lean towards aspirational users so long as it’s clear and there is some reference to the current audience in the collection of characters personified during the exercise.

PART THREE: Character Refinement

Proto-Personas Step 3

The next step is to review the characters and figure out how they van be visualized as similar or different along a set of common spectrums. You may consider quantitative attributes like number of children, or something more qualitative like technical proficiency, product experience, or political views.

First, give the room an opportunity for a bio break. They’ll appreciate it. And it will give you time to draw the spectrum lines on the white board. If you’re not already clear which traits to use for the spectrum write some choices on the board—the room can help you select what’s most important to them.

Once the spectrums are selected, we use voting cards to drive specificity and confirm alignment. Voting cards are great helpful in ensuring all stakeholders are heard. They in the third and final segment of the proto-persona exercise. Again, allow the group to debate but… if it gets unruly call for a show of the cards. You’re in the home stretch of today’s exercise… finish strong. Make sure the group settles debates.

After all initial proto-personas have been reviewed and ranked we take pictures of the board and collect the sketches. These are emailed to the client for their own reference while we consolidate duplicate personas and convert the sketches into a more polished deck. We present the “finished” personas in a Google Presentation, which we can easily update as we get client feedback and learn more about actual users through surveys, analytics, and first-hand experience.

Persona Map and Design Studio

Be sure to send over the deck at least two days in advance of the second exercise, Persona Maps and Design Studio. The second day goes more smoothly if the participants are familiar with the material. Review each persona in detail and update them in real-time with any feedback. This is also a good time to reiterate that this is just the beginning and that the document should be continually referenced in future sessions, and updated as new discoveries are made.

John Doe

The review of the characters usually takes about an hour. We also like to dig deeper and include a sampling of the user’s journey. We plot these questions on a Persona Map:

  • What was the user’s objective in visiting the <client> website?
  • How did the user get here?
  • Where did the user land?
  • Where will the user go next?
  • What is <client>’s opportunity?

John Doe

Once we’ve reviewed all of the personas and plotted out their journey, the remainder of the day is spent in a design studio. The goal is to generate as many ideas as possible regarding a key page in at least one user flow—it does not have to be the home page. If the client isn’t completely overwhelmed with the idea, we start individually then move into teams as we work through cycles of sketching, presentation, critique, and iteration.

John Doe

Design is an iterative progress, ideas might seem good on the surface but they can always be made simpler, better, and more effective. This collaborative exercise sets a great precedent for the rest of our engagement as we will present and iterate many more times as we design and develop meaningful experiences for our users that also perform for our clients.

Interested in gaining more design insight from Jeff Gothelf? He has Lean UX Full Day Workshops coming up in San Francisco, Dublin and London.

post authorBrent Summers

Brent Summers

Brent Summers is a marketing strategist at Digital Telepathy who is passionate about data and design. With a background in project management and business analysis he strives to produce measurable results by focusing on resuts and helping to improve performance—of both his designs and his team.

Tweet
Share
Post
Share
Email
Print

Related Articles

This article explores how design systems have evolved over the past decade from static guidelines to dynamic tools essential for consistency and efficiency in the digital age. It highlights the growing importance of frameworks that streamline collaboration, support scalability, and ensure cohesive experiences, paving the way for AI-driven design practices.

Article by Jim Gulsen
A Brief History of Design Systems. Part 2
  • This article examines the evolution of design systems in recent years, emphasizing key developments in digital design workflows.
  • It explores how design systems have progressed from static guidelines to dynamic frameworks that drive consistency and scalability across platforms.
  • The piece discusses how design systems empower organizations to enhance collaboration, improve efficiency, and maintain cohesive experiences, setting the stage for AI-driven, dynamic design practices of the future.
Share:A Brief History of Design Systems. Part 2
18 min read

AI is reshaping the role of designers, shifting them from creators to curators. This article explores how AI tools are changing design workflows, allowing designers to focus more on strategy and user experience. Discover how this shift is revolutionizing the design process and the future of creative work.

Article by Andy Budd
The Future of Design: How AI Is Shifting Designers from Makers to Curators
  • This article examines how AI is transforming the role of designers, shifting them from creators to curators.
  • It explores how AI tools are enhancing design processes by automating routine tasks, allowing designers to focus on strategic decision-making and curating user experiences.
  • The piece highlights the growing importance of creativity in managing AI-driven systems and fostering collaboration across teams, ultimately reshaping the future of design work.
Share:The Future of Design: How AI Is Shifting Designers from Makers to Curators
5 min read

Join the UX Magazine community!

Stay informed with exclusive content on the intersection of UX, AI agents, and agentic automation—essential reading for future-focused professionals.

Hello!

You're officially a member of the UX Magazine Community.
We're excited to have you with us!

Thank you!

To begin viewing member content, please verify your email.

Tell us about you. Enroll in the course.

    This website uses cookies to ensure you get the best experience on our website. Check our privacy policy and