Why We Need Storytellers at the Heart of Product Development

There's an interesting question on Quora right now:
If you had to pick between an amazing product designer or an amazing engineer to build a new company around, which would you pick and why?
This question reflects a painful problem that is common at both small startups and large corporate organizations. Far too often, teams focus on execution before defining the product opportunity and unique value proposition. The result is a familiar set of symptoms including scope creep, missed deadlines, overspent budgets, frustrated teams and, ultimately, confused users. The root cause of these symptoms is the fact that execution focuses on the how and what of a product. But in a world where consumers are inundated with choices, products that want to be noticed and adopted must be rooted in the why.
A product is more than an idea, it's more than a website, and it's more than a transaction or list of functionalities. A product should provide an experience or service that adds value to someone's life through fulfilling a need or satisfying a desire. The ultimate question then becomes: who identifies that value? After the executive or stakeholder identifies the initial idea, who in the organization ensures that the product and experience deliver value to the user? Maybe it isn't the product manager, marketer, technologist, or designer; perhaps what we need is a new role: the product storyteller.
Who are the product storytellers? Part matchmaker, marketer, technologist, and artist, the product storytellers ask questions, find answers, and figure out how to distill a vision or idea into a product story. They develop a plot, identify the people, and shape the product around the specific values it should offer consumers. Product storytellers think about the whole, and they see the big picture. But they also can go deep because they understand that the product's true value lies in the details of its interactions and every touchpoint that a consumer has with it.
The first goal of a product storyteller is to facilitate collaboration and co-creation. Today, many companies have their product and marketing groups disconnected from each other. Marketing decisions are often made at the executive level—much higher than where product decisions are made. The result is that marketing tells one story, and the product tells a different story. In the end, consumers are left to put together the conflicting messages and try to determine why they should engage with the product. A product storyteller should be positioned in the company to help break down the walls between all groups, facilitate the development of a single story, foster collaboration between groups, and ensure that every interaction a consumer has with a product or brand maps back to that story.
Not only do product storytellers identify the intended product value, they also share and evangelize this story throughout their organizations. This is important because it ensures that the entire team understands the why behind what they are doing. A common understanding of the product story allows a team to incubate a shared vision. This vision turns into passion, and people with both passion and vision are more likely to produce products that others want to use. Without a firm understanding of the why, the team risks becoming task focused, losing sight of the big picture, and deflating any sense of empowerment or excitement that once existed. When this happens, consumers and the team feel the effects. Consumers experience a disconnected product and message and, as a result, don't have a clear perception of its value. Organizations and teams feel the effects through slow, little, or no product traction with consumers.
If one of the primary factors in consumer arousal, interest, and adoption of new products is the ability of the product to answer the question, "Why would I use this?" then why do so many teams either let execution come before defining the product value or allow multiple groups to do this independently? The answer is simple: the process of identifying a product opportunity and value statement is not easy and the skillset required is still coming of age.
In his book, A Whole New Mind: Why Right-Brainers Will Rule The Future, Daniel Pink explains that we're in the "Conceptual Age" and that skills that were revered in the Industrial Age and Information Age are not as integral to where we are as a society today. Pink writes:
We've progressed from a society of farmers to a society of factory workers to a society of knowledge workers. And now we're progressing yet again—to a society of creators and empathizers, of pattern recognizers and meaning makers. We've moved from an economy built on people's backs to an economy built on people's left-brains to what is emerging today: an economy and society built more and more on people's right-brains.
Who are the right-brain thinkers? Through years of research, Pink has identified six aptitudes for the Conceptual Age: design, story, symphony, empathy, play, and meaning. Most relevant to us is the aptitude of story. Crafting stories is not about assembling facts. Instead, according to Pink, people who understand story have "the ability to place these facts in context and to deliver them with emotional impact." The impact to story in business is that, "like design, it is becoming a key way for individuals and entrepreneurs to distinguish their goods and services in a crowded marketplace." If you want your product to be heard by consumers, it must be rooted in a story that consumers can emotionally connect with.
The challenge today is that we face a shortage of storytellers because our current organizational structures and cultures are not optimized for the activities involved in storytelling. First, as I've already discussed, ownership of product value is not clearly defined and instead is distributed across or shared between teams. The result is a series of communication disconnects that produce a product experience and message that is not in line with the original vision—like a childhood game of "Telephone." But the second, and more interesting, reason for the shortage of storytellers is that the individuals who may have the skills to develop the story are not in the right environments.
Marty Cagan, a product management and product strategy expert, addresses this issue in his book Inspired: How To Create Products That Customers Love. Cagan notes that there are two key responsibilities of the product manager: "assess product opportunities, and define the product to be built." However, he asserts that product managers often become "consumed in the details and pressures of producing detailed specs rather than looking at the market opportunity and discovering a winning strategy and roadmap." The reason for this is that product management is often placed within the engineering organization. Ultimately, an engineering organization is focused on execution and that culture is not optimized for the process of discovery, curiosity, and play, all of which are fundamental to those who engage in storytelling.
Product storytellers should be at the intersection of product, marketing, and technology to help ensure that what's being created clearly maps back to a product story that identifies the plot, people, and perceived value to the consumer. Before a technologist writes a line of code, or a marketer writes a line of copy, or a designer creates a single wireframe or design, you have to establish the story that your product is going to tell.
The role of a product storyteller is not meant to take away from the founder, executive, marketer, designer, or technologist. As well, the development of product strategy and vision shouldn't be contained in a silo belonging to the product storyteller. But someone does need to own it. Now more than ever, cross-role collaboration is critical to product conception, incubation, and development. The product storyteller synthesizes rather than analyzes, sees the big picture rather than becoming stuck in the details, and ensures that all product interactions and touchpoints form a cohesive and value-based consumer experience.
So whether you are at a small start up or a large organization, whether you are a founder, executive, technologist, designer, manager, or marketer, ask yourself this: do you know your product's story? And perhaps more importantly, who creates your product story?






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Sarah, Great insights and ideas. I just retired from General Mills and know the drill you describe in your intro. I'm starting a consulting business to help business leaders to develop compelling health communications by connecting the dots between the emotional and scientific sides of health. Storytelling and story listening are some of the ways to unearth and convey the emotions. I'll be referencing this great article as an example of storytelling for brand innovation in my blog at www.storlietelling.com. Thanks, Jean
Sarah, thanks for the depth of your insight and assessment of this critical issue. I would add that another level of input and communication comes from those individuals who have direct contact with customers and potential customers. Agreement on a stimulating, reliable story description and key points, positions organizations to not only speak with one voice, but to attempt a genuine focus on customer issues rather than product/service components. Too often potential customers tune out hearing representatives at any level drone on with their offering. More power to those organizations who embrace the belief in a key storyteller who leads the effort to create excitement and consistency.
Professional Storyteller. Sounds like an exciting career! It's nice to see someone is spouting the benefits of listening to the needs of end users with the end goal of *gasp* delivering what end users need and want, and not what project sponsors or detached stakeholders or purse stringers think is right.
Finally.
Demographics aside. @saradody YOU ROCK!
Finally, what I've attempted to explain, written beautifully.
I will reach out to you personally, visionary -> storyboard->mapping entire product from stage one conception ->build spand, cosumer engagement and marketing philosophy.
Companies horribly lack this. Their is not even a job title for this.
I state this "design,develop, and deploy on massive scale by integration of markets, harnessing inner connectivity by brand development/cognitive approaches = brand influence, emotional connection. TrendAhead if you will.
Link to my sound cloud. You will find, what I do to be just this and more. Wait to you see what it is I'm doing. Thanks
Seth M. Kontny @sethkontny #AmericanEntrepreneur lol.
Hi Andrew. Yes, 1000% agree. I don't think that you can really be a great storyteller without also being a great listener. One thing that makes someone a great storyteller, is that they know their audience. You can't know your audience unless you've been quietly listening to and understanding them. A great example of how storytellers have mastered the art of listening is the folks at Pixar. I can't find the article, but I remember reading once how when doing research (which you could call "listening") they attached a camera to some kind of pole and then walked around with the pole close to the ground, putting it in the grass, bushes, etc, to get the perspective that a bug would have in real life. So brilliant. I'm always thinking of how I can do things like that the understand a new perspective.
Hi Marioo! It sounds like you're trying to find a new position and that you're not being given a chance. The advice that I would give anyone who wants to work in user experience, is to become an expert communicator and use your "portfolio" as an way to show off these skills. By portfolio, I don't just mean the screenshots of projects you've worked on. Today, your "portfolio" is really the total sum of all the interactions that you have online ... your Twitter, LinkedIn, blog, personal website, portfolio examples, etc etc. It's hard to give any more specific advice because I don't know what your current job situation is. But, if for example you're noticing a trend where people are saying that you don't have enough experience in subject "x" then maybe you should start blogging about that topic more. Just because past jobs haven't given way to a certain area of experience, you can still show that you have knowledge of that outside of a "job". Hope that helps!
I found myself really empathic to this article, because as many have commented before I can identify myself as the technologist+marketer+right-brainer+artist+curious about the customer needs and most of all passionate .... but while I was reading I found the following line "But the second, and more interesting, reason for the shortage of storytellers is that the individuals who may have the skills to develop the story are not in the right environments." And I totally agree, but the question here is how all of us who feel that passion and have most of the skills for storytelling achieve to be in the "right environment". I mean in my specific situation I recently graduated from Computer Science but during my career I've been developing skills in creativity/innovation/UX/storytelling because is that really fulfills me about technology. But when I try to look for a job position for UX/product development/Storytelling people like me get dumped because we do not have the experience businesses think they need without even trying to look at our portfolio or telling them our experience labeling us as "technicians" and no more.
Sarah, the product storyteller whom you describe wears many hats. One more hat to add might be "listener." Listening to consumer insights, observing how users are currently dealing with the problem, and how they might be better served. The best storytellers usually are great storylisteners, don't you think?
Andrew Nemiccolo Seven Story Learning
Vaishnav - thanks so much for your comment. You're right, in software use cases have been used for a long time to help everyone be on the same page about "what" (as a user, I'd like to ....) and the "why" (so that ....). What I'm trying to convey with this idea is that use of stories and that way of thinking (why, why, why) be adopted by everyone on the team. Sometimes, I think it can be helpful to compare this concept to writing an essay. I'm proposing that through a product story, we develop a thesis for the project so that everyone collaborating can make sure their paragraphs and sentences map back to that overall thesis. I think the only caution I have with the use cases in software is that we're careful to always map them back to "real" people. Often times, it's easy to develop a vision of what we're doing through a specific lens - the technology we know, our own personal preferences, what competitors are doing. A product story should help keep that lens focused on the first and foremost the real human being who will be using your product, the environment they'll be using it in, and the purpose for which they're using it. Hope that helps!
Very interesting article. I wanted to know what is the major difference between writing a use case for the software dev/design and writing a story? Because in software world people are used to writing use cases and making sure the product is valuable in all these cases.
This was very insightful article. I work with small biz entrepreneurs and lawyers and do find visuals really help them. Certainly I can't argue with you story telling helps with all aspects of sales and marketing.
Wow.....I just felt so so very good about this post. I completely agree with you, this is exactly what I feel and while reading this post it was almost like you have put my feelings in words so succinctly...One of the reasons why I could connect to this post so much is because I've worked in various functions and I always felt I'm more like a technologist + Product Guy + Strategist + Marketeer + Product Storyteller !
Storytelling is away to promote people, products, and to market products and services. I had never thought of storytelling in that genre before. Quite interesting to say the least, it would make products and services remarkably more appealing.
As technology gets more complex, it is able to meet our needs at a more basic level. That is why for instance, a 2 year old can use an Ipad very easily. (Saw a Chimpanzee using one on CNN lately). One of the most important jobs of the product storyteller is to make sure the complexity of her product is focused on solving a very basic or simple human need. Nice article.
Thanks for this article. Its the first one that actually explains what I am, that is my title.
Thanks for sharing this Sarah. I work for a big computer company and do exactly what you describe in your article...i.e. I "tell stories" and try to "link the dots" for my organization. Unfortunately, just like you've described, being on the wrong end of the organization (product design), delivering a consistent story our customer can resonate with is hard. Many times, I get into a "the wrong place at the wrong time" situation, since every department in the organization has different matrix to measure success. At least, your article reassures me that there are like minded people out there:)
Nice, yet, there are way too many stories, too many products. We want less stories and products, but more stories created by our lives. Agree with you, though if there is such a need to create a product story, then we end up with endless useless stories around us that have no meaning. Products should instead have no story because they fulfill our lives so well that pass unnoticed. Do you talk about and tell others the story a flower, a tree, the sky... tells you? They are visible and hidden, they don't need to shout or appear to have a special identity. They ARE. They fulfill. But they don't impose.